“This landscape was first conceived in the flicking light between sleep and awake as my work is primarily concerned with exploring ambiguous narratives. Using acrylic paint and oil stick to create a conversation between repeated forms and structures, the work was highly process driven as I was interested in the interplay between colours and marks. My practice involves investigative mark making and exploring a dissonance within colour theory. Although this landscape is imagined it feels both familiar and strange at the same time.”