“I am interested in perception and my work hinges on the idea that paintings require a temporality of engagement which contrasts with the fleeting, screen-based images that dominate much of our daily experience. Working mainly in landscapes I explore atmospheric conditions and the ambiguities of vision that cannot be translated through simple iPhone snapshots. The painting "Almost There" is about when you've been driving in the country and you know you've almost reached your destination because the bitumen stops and it becomes a dirt road.”